Benjamin L. Jones (he/him) researches the speculative analysis and praxis of oppressed people. He arrives at The Ohio State University by way of graduate studies at Northwestern University’s Department of Art History, where he also earned an interdisciplinary cluster certificate in Critical Theory. A practicing artist, Jones graduated from the San Francisco Art Institute with a B.A. in the History and Theory of Contemporary Art (highest honors). His art-historical interests include contemporary intersections of art and power, futurism, and Black radical visual culture and performance.

Funded by the Social Science Research Council and the Mellon foundation, his work engages critical ethnic studies, critical pedagogical practices, and feminist mobilizations of onto-epistemology and quantum mechanics. He is currently at work on three concomitant book projects. The first to launch will be What We Cain't Do: The Pedagogy of the Black Radical Aesthetic Tradition, followed by What We Fin’na Do: Afterlives of the Underground Railroad in Art, and an art book published in pencil and mixed media titled What We Fin’na Do: Preface to a 5,000 Year Almanac. In Summer 2022 he was a facilitator for the Black Arts Movement School Modality, (Iteration 2, East Coast), alongside co-facilitators: Romi Crawford, Theaster Gates, Sampada Aranke, Fred Moten, Stefano Harney, Kamau Patton, Michael Simanga. In the 2022-23 academic year Jones was a Dissertation Fellow at the University of California, Santa Barbara’s Department of Black Studies.